Please turn each travel photo I upload into a separate premium design poster. Output each photo individually; never combine multiple photos into one image.
Overall composition: 3:4 vertical, made up of the clearly visible real photograph plus a "photo-doodle travel object" reinterpretation of the same scene. The top and bottom halves are nearly 1:1 in height, separated by a clean, straight, restrained horizontal boundary — no blurring, feathering, blending, or image overlap at the divide.
## Top half: the real original photo
Faithfully preserve the original photo's subject identity, count, poses, direction of movement, key objects, relationships between people, street or spatial structure, viewing angle, real materials, natural light and shadow, and original color atmosphere.
Apply only a light travel-magazine / independent-publication / photo-exhibition grade color grade, plus a very thin layer of film grain. The top half must remain a clear, true photograph with substantial area.
Do not repaint the photo, do not move people, do not change the identity or structure of vehicles, food, shops, tables and chairs, boats, or souvenirs, and do not add cultural symbols or travel items that do not exist in the photo.
To fit the frame, you may naturally extend a small amount of sky, ground, wall, or surrounding environment, but do not stretch, squeeze, mirror, copy, or distort the subject.
## Bottom half: the photo-doodle travel object
Extract from the same photo the single core travel object most worth remembering, for example:
- vehicles, bicycles, motorcycles, boats, or carts;
- coffee cups, plates, food, tableware, or tabletop arrangements;
- chairs, suitcases, street signs, umbrellas, or souvenirs;
- storefronts, service windows, newsstands, or street stalls;
- any other everyday object with a clear silhouette and a sense of place.
People may remain, but only as supporting context for the object's action, usage, and travel story; they must not take over the main visual center.
First understand the most important object's identity, silhouette, orientation, color, and usage in the photo, then actively remove the complex background, unrelated passers-by, repeated buildings, advertisements, dense signage, tiny decorations, and photographic noise.
Do not simply shrink the full original photo into the bottom half, and do not merely outline or cartoonify the whole photo.
## Recomposition
Use a "shrink and distill" editorial composition.
The core object occupies roughly 40%–65% of the bottom half's width and 30%–58% of its height, placed centrally, lower, or off to one side. Vary the subject's scale, cropping, and spatial position according to the photo's content so the bottom half clearly differs from the photo above.
Keep only one core object, accompanied by one to three necessary scene cues, such as:
- a short stretch of road, rail, or tabletop;
- a door, a window, or a corner of a wall;
- a hand using the object, or one small-scale figure;
- a shadow, steam, motion trail, or direction line.
The reinterpreted area must retain about 35%–55% of continuous warm-white paper or light empty space so the subject can breathe. Do not use a template-style white sidebar, and do not shred the blank space into many small gaps.
## Photo slices and matte color blocks
The core object must not become a completely ordinary illustration.
Keep a small amount of real texture from the original photo, using:
- one to three cropped regions of photographic texture;
- the object's most recognizable real surface;
- partial photographic textures of windows, food, fabric, metal, or wood;
- irregular photo slices fitted to the object's outline.
Photo slices should embed naturally into matte color blocks and hand-drawn lines — no regular photo frames, no dense album collage.
Rebuild the remaining structure with 4–6 matte flat color blocks extracted from the photo. Keep one most striking color as the visual focal point and moderately desaturate the rest.
Color-block edges may show slight hand-made deviation, paint gaps, and paper showing through; avoid smooth vector shapes and commercial digital-illustration polish.
## Narrative doodles
Add a very small number of hand-drawn doodles around the core object, related to the real scene.
Depending on the photo, choose from:
- arrows indicating movement or direction of travel;
- motion trails of vehicles, boats, or people;
- steam lines above food and drinks;
- subtle sound marks, vibration lines, or waiting marks;
- curves connecting people and objects;
- circled dots, underlines, or brief observation marks;
- one or two very simple small symbols.
Doodles must explain the object's action, usage, or travel mood, not serve as pure decoration.
Use black, dark brown, or one dark color taken from the photo, rendered with loose marker, crayon, oil-based pen, or pencil lines. Lines may break, redraw, overshoot slightly, and show uneven ink.
Keep doodles restrained — usually only 3–7 small line groups or symbols. Do not let the whole image become a children's doodle book, comic storyboard, or dense sticker page.
## Text
Before generating, based on the objects, place, action, or atmosphere actually visible in the photo, determine and accurately render:
1. a main title of 1–3 English words;
2. the field text "OBJECT NOTE 01";
3. one observation sentence of 5–12 English words.
The title can be the object's name or a short travel feeling, for example:
- "YELLOW TRAM"
- "LATE LUNCH"
- "CORNER TABLE"
- "SMALL FERRY"
- "STREET CART"
- "RAINY RIDE"
The observation sentence describes only colors, actions, positions, and object relationships that really exist in the photo; do not invent brands, places, dates, or stories.
Place the text together in the continuous blank area, forming a clear editorial caption group with the core object and doodles. The main title must stay legible at chat-preview size; auxiliary text must not shrink into unreadable decorative gray lines.
Use loose handwriting, old-print small type, or a narrow marker-textured font. Text edges may show slight ink gaps, repeated strokes, and paper friction, as if written onto the paper together with the doodles — no smooth floating digital typesetting.
Do not copy advertising, signage, or brand text from the original photo. No author names, signatures, social accounts, logos, URLs, QR codes, fake Chinese, gibberish, or meaningless numbering.
## Overall temperament
Like picking the little thing you least want to forget from a travel photo, then preserving it once more with photo fragments, matte colors, and a few casually drawn notes.
Relaxed, clever, observant, slightly humorous and full of everyday life, while keeping the restrained layout of an independent travel magazine or art publication.
Strictly avoid: full-photo cartoon filter, same-crop same-scale redraw, complete realistic lower background, dense doodles, childish cartoon page, comic panel, generic travel stickers, copied signage, invented brand, excessive arrows, excessive symbols, multiple competing objects, glossy 3D, smooth vector shapes, digital gradients, oversaturated colors, tiny decorative source photo, missing source-photo comparison, fake text, author signature, watermark.
